Update: My film The Fire Ceremony II: Metamorphosis, soundtrack When I Die feat. michael dent (Youth “Don’t Feed the Trolls Rainbow mix”) by Jeremy Gluck and Michael Dent, remixed L. MacLean. Licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License, has been selected for the 7th Annual NYC Independent Film Festival running from April 27 to May 1, 2016 in New York City. For more information, click here.
It was screened twice: Art/Experimental Session April 28, 2016 9:00 pm Producers Club – Studio 3 · 358 West 44th Street · New York, NY 10036 & Art/Experimental Films Sessions 4 April 30, 2016 12:00 pm Producers Club – Theater P · 358 West 44th Street New York, NY 10036.
This film was also screened at the Burnaby Film Forum in September 2015 where it won the Best Technical Achievement Award and was featured at the Midnight Sun Art Festival in Sun Peaks, British Columbia, Canada running Aug 7-9, 2015. It was also screened at the LACDA 11 Year Anniversary Represented Artists Exhibit from April 9 – May 14, 2015.
The Fire Ceremony II: Metamorphosis. Mixed media installations, projections, performance and video 2014-15.
The Fire Ceremony II: Metamorphosis represents an unfolding metamorphosis of elements that are transmuted through fire and water, from ancient ruins to an unknown future. As the ceremony proceeds a sequence of projections bathes the proceedings in a kaleidoscope of changing images and colours, all ultimately dissolved in fiery conflagrations. Beginning with a step through a flaming basement door into a ruined cathedral in central Anatolia, the visual narrative carries us through abandoned ruins and landscapes, to a Spring Solstice ritual burning for Nevruz, the Turkish and Persian New Year, to an idiosyncratic fire ceremony performed by an apprentice yogini, to an imagined post-apocalyptic west coast of British Columbia.
Requiem: Birds and Beasts: Mixed media installations, projections and video 2015. No soundtrack.
This work comprises digital images of a sculptural tableau of natural and pseudo-natural elements (a dead magnolia branch picked up during a bike ride, candles, LED lights, plastic flowers from a Mexican market), and photographic projections of animal specimens. I had the pleasure of access to the teaching collection of animal specimens at the Beaty Biodiversity Museum at UBC where I was able to examine their shelves and drawers of bird, mammal, and insect species. It was fascinating and also somewhat sad to gently handle and photograph their bodies; I was amazed to note how similar some of the small mammals and birds were to humans as they lay in their silent sleep.