Awash at the TrixXxieFest Film Festival

LaurelsTrixXxiefest

Update:  “Awash” opens this year’s TrixXxieFest. The film opened the festival and was very well received by the audience. There were many photographers in attendance and the video was much discussed at the reception. See more here: https://roles4women.com/

I’m happy to have my short film Awash presented at the 2016 TrixXxieFest Film Festival in St. John’s, Newfoundland, Canada. Soundtrack Hydroscope by Gallery Six, licensed under a Creative Commons Attribution-Non-Commercial- Share Alike 4.0 International License. Remixed Lisa MacLean.

Awash with landscape v1 (3).Movie_Snapshot

Awash with landscape v1 (4).Movie_Snapshot

Awash is part of a series entitled Urban Pastoral focusing on Vancouver’s seaside landscapes. In this work my interest is in the ways pastoral green spaces such as parks, gardens, nature walks, forest preserves, and others reconnect humans with nature and how such spaces might change with global climate change, high waters, and heat. A constellation of forces, including economic pressures, rising sea levels, extreme weather, and shoreline erosion, is affecting coastal areas worldwide. In Vancouver, the consequences of these changes for our society are beginning to register in the collective consciousness with recent reports that our city is one of the top ten around the world threatened by high waters.

We begin along Vancouver’s foreshore beaches, where people play and relax. Gradually the waters rise and waves swamp the picnicking and play areas; the inundation begins and fires flare. Alien creatures appear in our waters. The video ends with us swimming with the fishes through a tropical kelp forest.

The video’s unnatural coloration and technological processes (such as infrared photography) suggest our mutating relationship with nature and its consequences. Images of natural beauty console us that everything we love about our everyday environment is not being lost, while the slight psychic dislocation caused by the technological interventions – curious colour palette and image inversions – hints at decay and dissolution.

Awash with landscape v1.Movie_Snapshot

Awash with landscape v1 (2).Movie_Snapshot

TrixXxieFest is a pop-up Festival featuring short films, videos and performances to inspire, challenge and amuse – powerful voices from around the world and here at home. This year’s festival is happening from Friday June 24th and Saturday June 25th, 2016 at The Cox and Palmer Second Space at the LSPU Hall in downtown St. John’s, Newfoundland. The weekend will be a jam-packed two days of live performances, installations, screenings, parties and a punk rock show. This year’s event features an International program of film and video shorts highlighting experimental video, film-making, animation, and short documentary.

See the schedule here.

Read more about the festival here.

New Video Work

Update: My film The Fire Ceremony II: Metamorphosis, soundtrack When I Die feat. michael dent (Youth “Don’t Feed the Trolls Rainbow mix”) by Jeremy Gluck and Michael Dent, remixed L. MacLean. Licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License, has been selected for the 7th Annual NYC Independent Film Festival running from April 27 to May 1, 2016 in New York City. For more information, click here.

It was screened twice: Art/Experimental Session April 28, 2016 9:00 pm Producers Club – Studio 3 · 358 West 44th Street · New York, NY 10036 & Art/Experimental Films Sessions 4 April 30, 2016 12:00 pm Producers Club – Theater P · 358 West 44th Street New York, NY 10036.

This film was also screened at the Burnaby Film Forum in September 2015 where it won the Best Technical Achievement Award and was featured at the Midnight Sun Art Festival in Sun Peaks, British Columbia, Canada running Aug 7-9, 2015. It was also screened at the LACDA 11 Year Anniversary Represented Artists Exhibit from April 9 – May 14, 2015.

The Fire Ceremony II: Metamorphosis. Mixed media installations, projections, performance and video 2014-15.

The Fire Ceremony II: Metamorphosis represents an unfolding metamorphosis of elements that are transmuted through fire and water, from ancient ruins to an unknown future. As the ceremony proceeds a sequence of projections bathes the proceedings in a kaleidoscope of changing images and colours, all ultimately dissolved in fiery conflagrations. Beginning with a step through a flaming basement door into a ruined cathedral in central Anatolia, the visual narrative carries us through abandoned ruins and landscapes, to a Spring Solstice ritual burning for Nevruz, the Turkish and Persian New Year, to an idiosyncratic fire ceremony performed by an apprentice yogini, to an imagined post-apocalyptic west coast of British Columbia.

Requiem: Birds and Beasts: Mixed media installations, projections and video 2015. No soundtrack.

This work comprises digital images of a sculptural tableau of natural and pseudo-natural elements (a dead magnolia branch picked up during a bike ride, candles, LED lights, plastic flowers from a Mexican market), and photographic projections of animal specimens. I had the pleasure of access to the teaching collection of animal specimens at the Beaty Biodiversity Museum at UBC where I was able to examine their shelves and drawers of bird, mammal, and insect species. It was fascinating and also somewhat sad to gently handle and photograph their bodies; I was amazed to note how similar some of the small mammals and birds were to humans as they lay in their silent sleep.