I’m excited that my film The Fire Ceremony II: Metamorphosis, soundtrack: When I Die feat. michael dent (Youth “Don’t Feed the Trolls Rainbow mix”), by Jeremy Gluck and Michael Dent, remixed L. MacLean was selected for the Leicester City Film Festival November 2016.
My short film Requiem for the Birds has been selected for screening at the 14th International Short & Independent Film Festival in Dhaka, Bangladesh from Dec 3 – Dec 10, 2016. A biennale film event, this festival has taken place since 1988 and is one of the oldest festivals of short film organized independently in South Asia. The Bangladesh Short Film Forum, the pioneer organization of independent Bangladeshi filmmakers, organizes the festival with a vision to promote the culture of independent and alternative cinema across the region. For more info about the festival, click here.
Soundtrack: Ars Sonor, When All is Said & Done and World Without and Steve Combs, Rest. Licensed under an Attribution-NonCommerical-ShareAlike 3.0 International License.
My film Awash has been selected as a Semi-Finalist at El Ojo Cojo International Film Fest in Madrid from Nov 4 – 12, 2016. El Ojo Cojo International Film Festival showcases fiction, documentaries and animation shorts and full-length films, in order to promote intercultural dialogue, featuring quality films that are not usually in the Spanish commercial market, and “raising awareness of the various facets of reality, trying not to fall into clichés.”
Soundtrack Hydroscope by Gallery Six, licensed under a Creative Commons Attribution-Non-Commercial- Share Alike 4.0 International License. Remixed Lisa MacLean.
My film The Fire Ceremony II: Metamorphosis, with soundtrack When I Die feat. michael dent (Youth “Don’t Feed the Trolls Rainbow mix”), by Jeremy Gluck and Michael Dent, remixed L. MacLean, licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License, has been selected as a Semi-Finalist at the Best Short Fest in Lanark County, Ontario.
BEST SHORT FEST is proud to bring the world’s best short films to the big screen at the historic community theatre in Lanark County, Ontario – less than an hour from Ottawa, and the United States (New York state), and 3.5 hours drive from Toronto.
After over 30 years as a live performance venue, since 2003 the theatre has regularly screened the best international films in partnership with the Film Circuit, a division of the Toronto International Film Festival Group, and BEST SHORT FEST continues this tradition, showcasing the talents of independent filmmakers from far and wide.
See the trailer here.
Update: “Awash” opens this year’s TrixXxieFest. The film opened the festival and was very well received by the audience. There were many photographers in attendance and the video was much discussed at the reception. See more here: https://roles4women.com/
I’m happy to have my short film Awash presented at the 2016 TrixXxieFest Film Festival in St. John’s, Newfoundland, Canada. Soundtrack Hydroscope by Gallery Six, licensed under a Creative Commons Attribution-Non-Commercial- Share Alike 4.0 International License. Remixed Lisa MacLean.
Awash is part of a series entitled Urban Pastoral focusing on Vancouver’s seaside landscapes. In this work my interest is in the ways pastoral green spaces such as parks, gardens, nature walks, forest preserves, and others reconnect humans with nature and how such spaces might change with global climate change, high waters, and heat. A constellation of forces, including economic pressures, rising sea levels, extreme weather, and shoreline erosion, is affecting coastal areas worldwide. In Vancouver, the consequences of these changes for our society are beginning to register in the collective consciousness with recent reports that our city is one of the top ten around the world threatened by high waters.
We begin along Vancouver’s foreshore beaches, where people play and relax. Gradually the waters rise and waves swamp the picnicking and play areas; the inundation begins and fires flare. Alien creatures appear in our waters. The video ends with us swimming with the fishes through a tropical kelp forest.
The video’s unnatural coloration and technological processes (such as infrared photography) suggest our mutating relationship with nature and its consequences. Images of natural beauty console us that everything we love about our everyday environment is not being lost, while the slight psychic dislocation caused by the technological interventions – curious colour palette and image inversions – hints at decay and dissolution.
TrixXxieFest is a pop-up Festival featuring short films, videos and performances to inspire, challenge and amuse – powerful voices from around the world and here at home. This year’s festival is happening from Friday June 24th and Saturday June 25th, 2016 at The Cox and Palmer Second Space at the LSPU Hall in downtown St. John’s, Newfoundland. The weekend will be a jam-packed two days of live performances, installations, screenings, parties and a punk rock show. This year’s event features an International program of film and video shorts highlighting experimental video, film-making, animation, and short documentary.
See the schedule here.
Read more about the festival here.
My film The Fire Ceremony II: Metamorphosis, soundtrack When I Die feat. michael dent (Youth “Don’t Feed the Trolls Rainbow mix”) by Jeremy Gluck and Michael Dent, remixed L. MacLean. Licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License, has been selected for the 7th Annual NYC Independent Film Festival running from April 27 to May 1, 2016 in New York City. For more information, click here.
It will be screened twice: Art/Experimental Session April 28, 2016 9:00 pm Producers Club – Studio 3 · 358 West 44th Street · New York, NY 10036 & Art/Experimental Films Sessions 4 April 30, 2016 12:00 pm Producers Club – Theater P · 358 West 44th Street New York, NY 10036. See the trailer below.
This film also won the Best Technical Achievement award at the Burnaby Film Forum in Sept. 2015.
Read my blog post about our trip to NYC for the Festival here.
Update: Amazing opening of the Luminescence exhibition at the Deer Lake Gallery in Burnaby, thousands of people, line-ups down the block. This group show celebrates the Spring Equinox with works that feature light in all its various manifestations. My video Sunset Song is featured on the wall screen. See my photos here. Read an article about the event here.
My video Sunset Song will be screened at the Deer Lake Gallery in Burnaby in the Luminescence exhibition of works celebrating the Spring Equinox. The show opens Sat April 19 from 7 – 9 pm and continues until Apr 9. Hope to see you there!
Here’s some info about the work:
The video Sunset Song explores many different facets of light, both literal and metaphorical. We begin in a ruined cave house in central Anatolia, with a Spring Equinox ritual that I created entitled Nevruz Burning, a performance to celebrate the Middle Eastern New Year and the birth of Spring. Still celebrated today by Turks and Iranians, Nevruz is an ancient holiday based on astronomical calculations and involves the victory of light over the powers of darkness. During Nevruz fire rituals, such as jumping over bonfires, are engaged in as purification rites for the coming year.
Nevruz Burning, created while I was an artist is residence in Ibrahimpasa, Turkey, was made entirely out of found objects: wooden box from Shah Dede’s abandoned cave house, a skull from the Cappadocian valley, bones from the house’s sod roof, stones from a corner of the cave room itself, apricot tree branches, cotton headscarf material, golden twigs, and two banners made from garbage plastic sheets painted with a cruciform design in red and pink inspired by rock-cut church frescos in Cappadocia. In the spirit of Nevruz fire rituals, the performance, held on the evening of the Spring Equinox, saw myself and a local boy light the room and its contents on fire to purify the space for Spring.
From there, the video’s visual narrative takes us on a journey of bodies and sunsets, across fields and through canyons lit by northern lights and faces by molten lava, from sleeping figures and staircases illuminated by lightning and fire, to ruined buildings floating in a sunset sky. The journey ends in a Vancouver landscape where planetary portals to other worlds have opened up as the sun sets, through which we might slip into another realm.
Combining still photographs, both conventional and infrared, and video, Sunset Song is a meditation on the endless cycle of darkness and light, death and rebirth.